Saturday, 7 November 2009

Anyone for Pyms?



I have discussed Barbara Pym and the funky new Virago Modern Classics editions of her work in a previous post. Since then I have accumulated two more titles, Excellent Women and A Glass of Blessings (the latter forthcoming in December), which Virago generously sent me. I now have a lovely little stockpile of Pym novels, which excites me as I have the feeling that I am going to love them and delight in Pym's ironic tone. What does concern me, however, is that I don't know where to start; I fully intended to read Excellent Women during November as I have heard that this is her best book but do I really want to start with the best? Isn't it more enjoyable to build up to the best novel in an author's canon and start with her first novel, Some Tame Gazelle, instead?

Please help! I desperately want to read one novel at least from the those above this month and value your input. This doesn't have to be based on personal experience, if you have none, but from the synopses below please vote which one you would read if given the choice.

Jane and Prudence: If Prudence Bates and Jane Cleveland seem an unlikely pair to be walking together at a reunion of old students in Oxford, neither of them is aware of it. Born a decade apart, their pupil and tutor relationship has circumscribed their lives and cemented their friendship.

No Fond Return of Love: Dulcie Mainwearing is always helping others, but never looks out for herself - especially in the realm of love. Her friend Viola is besotted by the alluring Dr Aylwin Forbes, so surely it isn't prying if Dulcie helps things along? Aylwin, however, is smitten by Dulcie's pretty young niece. And perhaps Dulcie herself, however ridiculous it may be, is falling, just a little, for Aylwin. Once life's little humiliations are played out, maybe love will be returned, and fondly, after all...

Some Tame Gazelle: 'It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different ...' Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year. Belinda, meanwhile has harboured sober feelings of devotion towards Archdeacon Hochleve for thirty years. Then into their quiet, comfortable lives comes a famous librarian, Nathaniel Mold, and a bishop from Africa, Theodore Grote - who each take to calling on the sisters for rather more unsettling reasons.

Excellent Women: Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks. One cannot take sides in these matters, though it is tricky, especially as Mildred, teetering on the edge of spinsterhood, has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching.

A Glass of Blessings: Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less. Her interest wanders to the nearby Anglo-catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests, and, of course, Piers Longridge, a man of an unfathomably different character altogether.


What do you think? I'm at a loss and may resort to playing eeny meeny miny mo without your assistance... Which -if any- are you most intrigued by and does Barbara Pym appeal to you as a writer?


Friday, 6 November 2009

Animal Farm


These scenes of terror and slaughter were not what they had looked forward to on that night when old Major first stirred them into rebellion. If she herself had had any picture of the future, it had been of a society of animals set free from hunger and the whip, all equal, each working according to his capacity, the strong protecting the weak, as she had protected the lost brood of ducklings with her foreleg on the night of Major's speech. Instead-she did not know why-they had come to a time when no one dared speak his mind, when fierce, growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes.

I didn't read Animal Farm by George Orwell at school nor did I manage to fit the novella into my reading in the ten years since so when Nineteen Eighty-Four was chosen for this month's book group, and I had an opportunity to re-read it, I seized the opportunity to read Animal Farm at the same time as a companion piece.

The satirical allegory of Communism and the scathing attack on Stalin in literary form is an intelligently crafted piece; it is also blackly humorous in parts, which I did not expect. Like Nineteen Eighty-Four it is dystopian fiction at its finest but I would say that Animal Farm is better done. Where Nineteen Eighty-Four is terrifying in its nighmarish future imaginings, the totalitarianism of Animal Farm is brutal in its portrayed corruption of the greedy, myopic leaders of Animal Farm, the pigs.

The Manor Farm run by the cruel farmer Jones is subject to rebellion when the farmland animals rise up against their dictator. Upon the success of their revolt, the farm is renamed Animal Farm and the animals live in harmony for a little while working the farm under the leadership of two of the pigs, Snowball and Napoleon (Trotsky and Stalin, respectively) but with the philosophy that all animals are equal. Napoleon overthrows Snowball with the help of the army of dogs that he has raised from pups and quickly becomes tyrant of the farm. Napoleon has the support of the other pigs, notably Squealer who acts as propagandist and manipulator; Squealer's twisting of the truth are the parts that I found most alarming and yet conversely also the most amusing as he is a typical political spin-doctor.

This is an intensely clever novella and I am glad that I finally read it. Until now I knew the premise of Animal Farm and its cultural significance but did not fully appreciate its historical -as well as literary- importance. This is a skillful and powerful political satire and I urge you to read it if you have not already.


Thursday, 5 November 2009

Nineteen Eighty-Four


I was in a bookshop with Simon T of Stuck in a Book last month and one of us picked up or pointed out the newly reissued, latest dust-jacket art of Nineteen Eighty-Four by George Orwell. I commented that I read it about a decade ago but that it was fairly fresh in my mind. The following evening, at book group, it was suggested as November's book. I decided to reread it for the less salient details but I found that the majority of it had remained with me.

Tonight is our book group meeting but due to a sudden family event I am unable to attend; instead, I am scheduling this post to publish whilst the others will be discussing the book. I look forward to reading what the others think and how the discussion went from tomorrow onwards. For most of us it was a reread so it will be an interesting dynamic. I didn't think that Nineteen Eighty-Four suffered any reading it second-time-around although I did find the first half of the third section quite dry although Room 101 was just as effective (albeit without the shock-factor).

I love Dystopian literature and the Orwellian model is the father of the Science Fiction sub-genre; I recall it as the first Dystopian novel that I read and it still resonates, especially as it has been immersed into popular culture and contemporary vernacular (which we should just call everydayspeak and have done with it). Orwell's nightmarish vision of the futuristic totalitarian government, the oligarchical inner party of Big Brother with their oxymoronic party slogans, may be outdated in the age of technology but its claustrophobic society of surveillance, where not only Big Brother via the telescreens but everyone else is watching you and waiting to betray you by accusing you of thoughtcrime, is still effective and disturbing.

Winston Smith, protagonist of Nineteen Eighteen-Four, is a member of the outer party who perpetuates party propaganda by altering historical documents so that the past becomes fiction. Meanwhile Winston is in inner turmoil, rebelling against Big Brother without actually doing anything until he meets Julia. Winston is not an orthodox party member, devoted to Big Brother; nor is he an acute threat to Big Brother. His passivity infuriates me but what could he have done? Was Julia right when she asked him if it mattered the evidence that he found -but destroyed- as what could he have done with it anyway? His helplessness is well-evoked and it is that which makes Nineteen Eighty-Four so powerful and terrifying: the inability to act against a totalitarian regime even if you wanted to.

I was struck whilst reading this time by the portrayal of women in the novel, or more strictly their treatment by Big Brother. Women are denied their femininity, they are made to dress asexually and forbidden to wear make-up or fragrance; males and females are sexually repressed with relationships between party members outlawed. Julia regales in her sexuality, she is proud to enjoy sex and embraces the opportunity to be free and wear what she likes beyond the view of the telescreens. Feminism is freedom of choice, not what you wear or how you look.

I enjoyed rereading this classic; it was a welcome revisit and one that reminded me how good a book Nineteen Eighty-Four is. Tomorrow I will have a follow-up post on Orwell.

Wednesday, 4 November 2009

Waiting On...


Earlier I read this latest post by Mrs. B. of The Literary Stew, which is a Waiting on Wednesday post, a weekly event hosted at Breaking the Spine. Waiting on Wednesdays spotlight forthcoming releases that we are anticipating.

I thought this would make a fun post today. I am most excited about the publication of Jasper Fforde's latest book -and the first in a new series- Shades of Grey, due to be published by Hodder & Stoughton in January 2010. I have been waiting for this from early last year when I finished reading his Thursday Next and Nursery Crimes books and now the end is sight.



From Amazon.com: Part social satire, part romance, part revolutionary thriller, Shades of Grey

Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion.

Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey Nightseer from the dark, unlit side of the village. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

Stunningly imaginative, very funny, tightly plotted, and with sly satirical digs at our own society, this novel is for those who loved Thursday Next but want to be transported somewhere equally wild, only darker; a world where the black and white of moral standpoints have been reduced to shades of grey.

From Amazon.co.uk: No one could cheat the Colourman and the colour test. What you got was what you were, forever. Your life, career and social standing decided right there and then, and all worrisome life-uncertainties eradicated forever. You knew who you were, what you would do, where you would go, and what was expected of you. In return, you simply accepted your rung upon the Chromatic ladder, and assiduously followed the Rulebook. Your life was mapped. And all in the time it takes to bake a tray of scones . . .

Eddie Russett lives comfortably in a world where fortune, career and ultimate destiny are rigidly dictated by the colours you can see. Until he falls in love with a Grey named Jane, and starts to question every aspect of the Rulebook. Why are spoons illegal? And what actually happens to all those people who are sent to the Emerald City to Reboot? tells of a battle against overwhelming odds. In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means.



Which book are you most looking forward to?


Tuesday, 3 November 2009

Blueberry Girl


Blueberry Girl by Neil Gaiman is a poem illustrated beautifully by Charles Vess. Ostensibly a picture-book, the poem was originally written by Neil for his friend Tori Amos and her daughter, Natashya (Tash), Neil's god-daughter. Written the month before she was born, when she was known as "Blueberry", Neil was asked to write her a poem and/or prayer, the hand-written version of which was hung by her bed once she was born; Neil kept a copy that many friends requested and which he copied out for them. He never intended to publish it, he intended to keep it private but the Blueberry Girl took on a life of her own and became "a book for mothers and for mothers-to-be. It's a book for anyone who has, or is, a daughter. It's a prayer and a poem, and now it's a beautiful book" (a quote from Neil's online Journal).

It is a truly wonderful book, beautiful and inspirational and something to cherish. As a daughter I appreciate that. There a couple of imminent babies entering my life and if either of them happen to be a girl then I will be gifting the proud parents and their new daughter with a copy of this book. It is uplifting and it makes me happy, as does this video of the illustrations from the book with Neil Gaiman reading his poem and lyrically lulling us into peacefulness with his dulcet tones .


Blueberry Girl is rich in wonder and dreams for the future daughter, who should be blessed with the freedom to pursue her dreams.

Grant her the wisdom to choose her path right,
free from unkindness and fear.


Whimsical, sweet and moving, this is a book for blueberry girls everywhere. May we be free to fulfill our dreams.



Blueberry Girl is published by Bloomsbury in the UK and I thank them for sending me a copy for review.


I am considering this my first book read for the Women Unbound Challenge as I cannot think of a children's book more hopeful of equality and the fulfilling of potential.


Monday, 2 November 2009

Rockin' Around the Swaps

Nymeth brought to my attention the annual Book Blogger Holiday Swap and I've signed up. This seems like a wonderful way to spread the holiday spirit, participate in the blogging community and discover new bloggers. Besides, I LOVE Christmas. Even though I am taking part in the Persephone Secret Santa and also a Virago one on LibraryThing,
I couldn't pass this one up; I love choosing and or making gifts for people and the delight of giving. I love to give books and playing Santa to a book blogger will probably allow me to do that! That's a good segue into mention an other holiday and blogging initiative run by My Friend Amy: Buy Books for the Holidays. I often do give books as gifts and this year is no exception. Giving (and receiving) books is wonderful and I encourage you to treat any readers in your life with a well-intentioned read this Christmas.


Sunday, 1 November 2009

Women Unbound


During the week, I briefly joined in a Twitter conversation originating with Eva about a potential Women's Studies challenge. I commented that I would enjoy reading more nonfiction in this field and that the choice of fiction to meet the challenge, which is wide but subjective, could be justified in the participant's review. I then went to bed and when I woke the challenge had been defined, named and a website had been set up complete with buttons, readings lists, rules etc. That's women unbound for you!

The Women Unbound challenge runs between this month and November 2010 so that is a whole year to read any book that focuses on women and their issues. As Nymeth pointed out to me, Virago and Persephone books more than meet that criteria and when do I need an excuse to read those? This challenge will allow me to finally read books of my one that have gone unread and potentially reread some feminist favourites. I have decided to participate at the Suffragette level, which involved reading eight titles, three of which have to be nonfiction. A list of potential reads is not required but I have compiled a pool of potential reads but not some of the rereads I may embrace.

Also, if you are joining in and seeking out titles (and even if you are not) then I cannot recommend The Group by Mary McCarthy highly enough. I read and reviewed it a few months ago and it would be the perfect read for this challenge.

Nonfiction:

Bluestockings by Jane Robinson (I don't have this one of my shelves but it is already on request from the library after reading Nymeth's review).

Feminism is for Everybody by bell hooks

Gender Trouble by Judith Butler

Women Who Run with the Wolves by Clarissa Pinkola Estes

Sex and the Slayer: A Gender Primer for the Buffy Fan by Lorna Jowett

Cunt: A Declaration of Independence by Inga Muscio

Everything I Needed to Know about Being a Girl I Learned From Judy Blume
ed. by Jennifer O'Connell

Married Love by Marie Stopes

Women in the House of Fiction by Lorna Sage

Fiction:

The Infernal Desire Machines of Doctor Hoffman by Angela Carter (one of only two books by Angela Carter that I haven't yet read; I have been rationing them).

The Well of Loneliness by Radclyffe Hall

To the Lighthouse by Virginia Woolf

Tender Morsels by Margo Lanagan

The L-Shaped Room by Lynne Reid Banks

Fear of Flying by Erica Jong

Woman on the Edge of Time by Marge Piercy

Lady Oracle by Margaret Atwood

Novel on Yellow Paper by Stevie Smith

Invitation to the Waltz by Rosamond Lehmann

Save Me the Waltz by Zelda Fitzgerald

The Golden Notebook by Doris Lessing (third time lucky?)

Heartburn by Nora Ephron

The Woman Destroyed by Simone de Beauvoir

Carol (The Price of Salt) by Patricia Highsmith

St Lucy's Home for Girls Raised by Wolves by Karen Russell

Sophie's Choice by William Styron

Herland by Charlotte Perkins Gilman

A number of Colette, Anais Nin or Jean Rhys novels on my shelves.

What do you think of my list? Have you read any? Which are you looking forward to reading about? Do you have any further recommendations?